University of Chester and Gothic Heresy: Religious Knowledge and Experience in Horror Culture

My Facebook feed recently produced this little gem from the University of Chester, bringing together religion and horror, and one funded by the Templeton Religious Trust!

Horror is a widespread mode of culture, cutting across games, films, books, art, TV and many other forms. In horror there is a repeated emphasis on religious themes, tropes, motifs and ideas. Ghosts, haunting, ruined abbeys, nuns and priests, exorcisms and demons run rife through this part of culture. The aim of the Gothic Heresy project is to investigate what exactly this religious element of horror means to those who engage with horror in any way. Are these elements just aesthetic set dressing, designed to do no more than just elicit affective responses – to make us afraid – or is there something deeper at work? This project aims to assess whether the religious elements within horror inform how audience members come to think about issues of religion, theology or the spiritual. This project aims to investigate how this incredibly popular cultural form helps inform and shape the audience’s religious understandings.

The first stage of the project is a survey, open to anyone who engages with horror across its myriad forms and varieties. The survey seeks to investigate how respondents view horror, their own religious or spiritual practices and beliefs and, crucially, how – if at all – these things interact. From there, the project will move on to in-depth focus groups, allowing for a more detailed examination of these interactions before finishing with some detailed interviews with participants who wish to explore their own religious understanding in light of their engagement with horror.

THE UNHOLY as Easter horror

A new trailer came out today for a horror film coming out in connection with the Easter holiday where Christianity celebrates its most holy event. In the trailer for THE UNHOLY, we find a combination of possession tropes with Catholicism’s emphasis on Mary. See the discussion and poster at the article on the film at Collider.com.

“The Vigil” presents Jewish take on the demonic

I’m currently reading Steve Wiggins’ book Nightmares with the Bible, which will be the focus on a review I write and a future podcast with Steve, but it has heightened my sense of the demonic in cinema and religion of late. Today I came across The Vigil in my news feed, which promises to be a “New Jewish Horror Film Steeped in Ancient Jewish Lore and Demonology,” according to an article at JewishBoston. As that piece states, “Jewish themes do not usually drive horror films. But ‘The Vigil’ has blazed a trail for the way it introduces Yiddish dialogue and combines supernatural elements with Jewish mourning rituals. There are plenty of jumpy scares, along with flickering lights and unsettling appearances. All of it happens in a setting where things literally go bump in the night.” I can’t wait.

“Theology and Horror” gone to press

Rowman & Littlefield just informed me that my co-edited volume with Brandon Grafius, Theology and Horror, has gone to press, just in time for the March release date. It’s not cheap, but request it from your library! https://rowman.com/ISBN/9781978707986/Theology-and-Horror-Explorations-of-the-Dark-Religious-Imagination

Scholars of religion have begun to explore horror and the monstrous, not only within the confines of the biblical text or the traditions of religion, but also as they proliferate into popular culture. This exploration emerges from what has long been present in horror: an engagement with the same questions that animate religious thought – questions about the nature of the divine, humanity’s place in the universe, the distribution of justice, and what it means to live a good life, among many others. Such exploration often involves a theological conversation. Theology and Horror: Explorations of the Dark Religious Imagination pursues questions regarding non-physical realities, spaces where both divinity and horror dwell. Through an exploration of theology and horror, the contributors explore how questions of spirituality, divinity, and religious structures are raised, complicated, and even sometimes answered (at least partially) by works of horror.

ST. MAUD, religious devotion and fanaticism

I’ve liked what A24 has done for a while now with horror, and a new trailer for ST. MAUD looks intriguing as it depicts faith and unbelief, and the line between religious devotion and fantaticism.

Marvel’s MORBIUS

Although I read Marvel comics growing up, I just haven’t gotten much into the movies. I did enjoy the IRON MAN movies, one of the titles I used to read. Then again, I was never that into comics, and was always more of a fan of horror and science fiction. Perhaps this explains why the new trailer for MORBIUS, one of the titles I used to read featuring a vampire, is the first Marvel film I’ve been excited about in a while.

SOCIETY body horror inspired by THE TEN COMMANDMENTS

I’ve been enjoying the second season of Eli Roth’s History of Horror on AMC, and in the episode of Body Horror an interesting and unexpected statement was shared in the commentary. Brian Yuzna, the director of a film that had escaped me previously, Society (1989), was talking about the influences on him that led to the creation of that particular piece of horror. To my great surprise he mentioned watching The Ten Commandments as a child with its scenes of a staff being turned into a snake, the death of the firstborn through divine green mist, and an idolatrous orgy in the climax. The latter scene he said was particularly influential on the final scene of Society which ends in the rich consuming the poor in a cannibalistic orgy. I’ll have to track Society down. Although I’m not a big body horror fan, I’m fascinated by the influences and commentary, and that someone else has read the Bible as horror.

Patreon page launched

After months of thinking about it, I finally decided to launch a Patreon page. I am inviting people to partner with me to help create content based upon the two areas of monstrosity I work in. If you enjoy my work on monstrosity, whether of the religious conflict or monsters in pop culture variety, please consider joining the team, and share my link in your social network. Many thanks!
https://www.patreon.com/johnwmorehead?fan_landing=true

God, the pandemic, and horrific meaning

One day earlier this week I watched an interview with Tom Holland, author of the book Dominion. In that volume he shares his journey as a disillusioned historian and liberal who at one point valued the Roman empire, but who eventually came to question the violence and devaluation of others that came with it. As he continued to wrestle with his own ethics and values on such things he came to the provocative conclusion that he, and Western civilization, owes a debt to Christianity in this regard, and it is many of that faith’s assumptions that provide the foundation for the secular West. You can read a review of his book in The New Statesman, for example, that provides a summary interaction with the thesis of his book.

I’ve watched and listened to several interviews with Holland on his book so this wasn’t new to me in the most recent viewing. What was new came at the end, where he expressed dismay that no real good answers have been provided by the Church in regards to our current struggles with the COVID-19 pandemic. This got me to thinking, and for the most part I have to agree. Holland is not alone in this criticism, as a post by New Testament scholar Andrew Perriman, with his own intriguing thoughts on this issue, demonstrates. This issue is especially relevant in light of a survey that revealed that a third of Americans believe the current virus was sent by God.

This failure to provide a meaningful response got me to thinking about how horror films have addressed the question of God, epidemics/pandemics/plague and theodicy. I’ll draw the readers attention to two I find interesting.

First, is the 2010 film Black Death starring Sean Bean. This is an interesting film that weaves assumptions about the divine and the Devil in relation to plague throughout, and which brings Christian soldiers acting on behalf of the Church into conflict with a village of Pagans. The story also features human beings who are depicted as using these assumptions to wield power of others. I’ve discussed this film previously in a podcast with a Wiccan that readers might want to listen to.

Another film I’ve thought about recently in connection with God and the pandemic is the wonderful Roger Corman adaptation of Poe, The Masque of the Red Death. There is a great scene in the film where, Vincent Price’s character, a Satan worshiper, makes the argument with a Christian woman that given the death, disease and violence of the world, no benevolent God is in charge. This is a nice summary of the argument from evil found in the middle of a horror film. A bonus for fans.

https://youtu.be/W7VXNSHbfVg

So as we continue to struggle with a global pandemic and the havoc it wreaks, if theologians can’t provide meaningful answers to our suffering, at least horror can help us express our anguish.

Religion in the Legend of Zelda

I enjoy the ReligionForBreakfast page at YouTube. It combines good academic study of religion from the perspective of religious studies, with an accessible approach to a number of topics. One video from 2017 is relevant to the interests of this blog in its exploration of religion in the video game Legend of Zelda.

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