Irony in The Twilight Zone: How the Series Critiqued Postwar American Culture by David Melbye (Rowman & Littlefield, 2015)
Rod Serlingâ€™s pioneering series The Twilight Zone (1959 to 1964) is remembered for its surprise twist endings and pervading sense of irony. While other American television series of the time also experimented with ironic surprises, none depended on these as much as Serlingâ€™s. However, irony was not used merely as a structural deviceâ€” Serling and his writers used it as a provocative means by which to comment on the cultural landscape of the time.
Irony in The Twilight Zone: How the Series Critiqued Postwar American Culture explores the multiple types of ironyâ€”such as technological, invasive, martial, sociopolitical, and domesticâ€”that Serling, Richard Matheson, Charles Beaumont, and other contributors employed in the show. David Melbye explains how each kind of irony critiqued of a specific aspect of American culture and how all of them informed one another, creating a larger social commentary. This book also places the showâ€™s use of irony in historical and philosophical contexts, connecting it to a rich cultural tradition reaching back to ancient Greece.
The Twilight Zone endures because it uses irony to negotiate its definitively modernist moment of â€śhighâ€ť social consciousness and â€ślowâ€ť cultural escapism. With its richly detailed, frequently unexpected readings of episodes, Irony in The Twilight Zone offers scholars and fans a fresh and unique lens through which to view the classic series.